Madhubala was born Mumtaz Jehan Dehlavi, on 14 February 1933 in Delhi, British India. Madhubala died on 23 February 1969 after a prolonged illness. Her last film, Jwala, although shot in the 1950s, was released in 1971. Madhubala's performance in Mughal-e-Azam established her as an iconic actress of Hindi Cinema. Madhubala received wide recognition for her performances in films like Mahal (1949), Amar (1954), Mr.
She is also considered to be one of the most beautiful actresses to have worked in the industry. Along with her contemporaries Nargis and Meena Kumari, she is regarded as one of the most influential personalities of Hindi movies. Mumtaz Jehan (Febru– February 23, 1969), more popularly known as Madhubala (literally "honey belle"), was an Indian Bollywood actress who appeared in classic films of Hindi Cinema. Meead Akhi, Azadeh Akhlaghi, Ali & Ramyar, Saba Alizadeh, Hoda Amin, Hawar Amini, Abbas Attar, Fatemeh Baigmoradi, Dadbeh Bassir, Erfan Dadkhah, Solmaz Daryani, Gohar Dashti, Alireza Fani, Hamed Farhangi, Arash Fayez, Shadi Ghadirian, Jassem Ghazbanpour, Azin Haghighi, Ghazaleh Hedayat, Bahman Jalali, Rana Javadi, Poolad Javaher Haghighi, Alborz Kazemi, Babak Kazemi, Kaveh Kazemi, Mehregan Kazemi, Arash Khamooshi, Danial Khodaie, Abbas Kiarostami, Gelareh Kiazand, Abbas Kowsari, Yalda Moaiery, Sasan Moayyedi, Mehran Mohajer, Mehdi Monem, Amir Mousavi, Sahar Mokhtari, Tahmineh Monzavi, Mehran Naghshbandi, Azin Nafarhaghighi, Mehrdad Naraghi, Morteza Niknahad & Behnam Zakeri, Ebrahim Noroozi, Mohsen Rastani, Ghazaleh Rezaei, Behnam Sadighi, Majid Saeedi, Omid Salehi, Hasan Sarbakhshian, Jalal Sepehr, Bahram Shabani, Noushin Shafiei, Hashem Shakeri, Jalal Shams Azaran, Sina Shiri, Arya Tabandehpoor, Nazanin Tabatabaee Yazdi, Maryam Takhtkeshian, Newsha Tavakolian, Sadegh Tirafkan, Mehdi Vosoughnia, Mohsen Yazdipour, Hasti Zahiri, Maryam Zandi Iran: year 38, is to be an exhibition celebrating the culture of visual poetry embraced by Iranians. Thousands of years of history have come before the 1979 Islamic revolution. Iran is both a young and an old country at the same time. A very diverse mix of photographers, artists and filmmakers portraying a country still caught up in revolution and war, but also fast-changing beyond recognition.
With this exhibition, we want to introduce those who are shaping the image of Iran today.
Images, photojournalism, documentary or art are visual poetry, if you will. The modern version of poetry is photography, of course. When today’s Iranians want to express themselves, they use the tools given to them by history. It is not a coincidence that Iran has so many photographers. « Iran: year 38 » ( 38 years of Iranian photographs)
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